"Bye-bye, blackbird" (Simon reviews PUBLIC ENEMIES)

Had enough Public Enemies? I think not! In fairness, neither of us chose this film for our top shelf choice and it sure-as-hell wasn't our Michael-Mann focus point.

But it is a brilliant film to extrapolate and discuss - so much so, that though Hatter reviewed it, so did I analyse a few factors to it. I started off one paragraph by mentioning the free paper the 'Metro' as it compared the film to the Michael-Mann bomb Miami Vice -

"Metro (a local free tabloid paper here in London - and Birmingham and Manchester ...) released a review today saying that the film was akin to 'Miami Vice'. This is absolutely untrue - while you struggled to follow the convuluted plot about drugs and 'the underground' and truth and fiction and what not in 'Miami Vice', the simple plot in 'Public Enemies' gives Mann space to focus on the characters themselves. In a nutshell - its Purvis trying to catch Dillinger - but the anti-hero edge to Dillinger, the persona Depp creates, makes you root for him - even though you know Billie's prophesizing his death is true, you cannot help but be upset at the expected showdown"Metro (a local free tabloid paper here in London - and Birmingham and Manchester ...) released a review today saying that the film was akin to 'Miami Vice'. This is absolutely untrue - while you struggled to follow the convuluted plot about drugs and 'the underground' and truth and fiction and what not in 'Miami Vice', the simple plot in 'Public Enemies' gives Mann space to focus on the characters themselves. In a nutshell - its Purvis trying to catch Dillinger - but the anti-hero edge to Dillinger, the persona Depp creates, makes you root for him - even though you know Billie's prophesizing his death is true, you cannot help but be upset at the expected showdown"
Read the full analysis by popping over to Screen Insight by clicking here!


For the full review, just click here

"What keeps you up nights, Mr. Dillinger?" (Hatter reviews PUBLIC ENEMIES)

I remember the pre-publicity for this. How could they get it wrong - depression-era Gangster film, Johny Depp playing Dillinger, Michael Mann direction. It was a sure-fire hit. All the pictures looked stunning and it was merely a question of whether the film would pay off on release. Then the reviews came in ... mixed.

 

Hatter wrote - "However, patience is a virtue, and patient audiences will be rewarded as the second half of this movie really takes off. From the moment of the Dillinger/Nelson heist, director Michael Mann shifts the movie into a higher gear, and suddenly decides to deliver on the sexiness of the story. One of the highlights is an explosive gunfight at a rural Wisconsin Inn, which evokes memories of the downtown L.A. shootout in HEAT. Interestingly, it’s the last pure action scene in the movie. The rest of the way, Mann goes cat-and-mouse and lets the intriguing nature of the manhunt entertain the audience"

Suffice to say, it was not as good as we expected and - in the first instance, Hatter wrote his semi-positive review. For the full review... just click here.