Next up - the already discussed Trainspotting. I wrote this a while ago when I even managed to garner enough attention to have it put onto a different website too.
At the time of writing, the use of music was prevalent in my mind as the soundtrack was released across two volumes and I had managed to hunt down both volumes - all with brilliant tracks on (well... say 60% at least). My full analysis include connections to the music and drug-movies of the time too because, I believe, Trainspotting came at a point whereby this was the indie-filmmakign thing to do ... just ask Doug Liman and Tom Twyker...
"Based amongst the Edinburgh clubbing, drug scene, Boyle did state that he wanted the music to have a timeless quality to it - and so we have everything from Iggy Pop and Lou Reed through Pulp and Blur and out to Underworld and Leftfield spaning a time period from the 70's through to the 90's. A real fantastic selection of music. I could do a whole blog on the music alone. The use of Lust for Life by Iggy Pop is interesting as it is shown at start (Danny Boyles running-through-the-streets, fast-paced start ... we see it again in Slumdog Millionnaire, even Millions has the two kids running around the house being built around them during the opening credits) and also shown midway through, but with a different tone. What began as sneak-theives and petty-theft becomes, by the second time we see the same sequence with the same music, a sad situation, whereby we feel pity and hopelessness. They still can't kick the habit."
For the full review, click here